Norman Granz Quotes, Sayings, Remarks, Thoughts and Speeches



Norman Granz Quotes and Sayings


  • 1
    Amsterdam must have more than a million people. But the only area where jazz is really profitable and successful in an economic sense is in Japan. That's because they haven't been exposed enough. Norman Granz | Refcard PDF
  • 2
    As long as we're in a democracy, I have to give what I think the majority of people will enjoy. Norman Granz | Refcard PDF
  • 3
    Ella can work nightclubs that Duke might not be able to work, because of having the big band. Where they go now is strictly a matter of their own names and talents. Norman Granz | Refcard PDF
  • 4
    Ellington is a writer and arranger, as well as a musician and leader. He does movie sound tracks. Norman Granz | Refcard PDF
  • 5
    For years, Jazz At The Philharmonic albums were the only ones of their kind. Norman Granz | Refcard PDF
  • 6
    Germany is probably the richest country in Western Europe. Yet they wouldn't take any television with Duke and Ella, their reaction being that people weren't interested in it. Norman Granz | Refcard PDF
  • 7
    I allowed artists to play for as long as they felt they could justifiably continue to create. Norman Granz | Refcard PDF
  • 8
    I don't know who's 18 years old today that, 20 years hence, is going to be a jazz fan. Norman Granz | Refcard PDF
  • 9
    I don't say that the supposed Civil Rights development is a myth, but it's a matter of dealing with reality. It's purely peripheral and, in many cases, it's just a facade. Norman Granz | Refcard PDF
  • 10
    I don't think I will ever do any tours again in the United States. I rather think that that's over with. Norman Granz | Refcard PDF
  • 11
    I don't think that jazz, as any kind of an art form, has any permanence attached to it, apart from the practitioners of it. Norman Granz | Refcard PDF
  • 12
    I don't want to sound as if I'm doing something tremendously special. But I am a jazz fan. Norman Granz | Refcard PDF
  • 13
    I find myself more at peace when I live in Europe. Norman Granz | Refcard PDF
  • 14
    I made it easier for many artists to play in certain areas. Norman Granz | Refcard PDF
  • 15
    I still continue to do at least four concert tours a year, and in many cases, as many as six. Norman Granz | Refcard PDF
  • 16
    I'm concerned with trend. I don't know where jazz fans will come from 20 years from now. Norman Granz | Refcard PDF
  • 17
    I'm talking as a professional impresario. I'm not judging anybody at all. Norman Granz | Refcard PDF
  • 18
    If I were to put on Barbra Streisand and Duke Ellington, one might say the combination isn't good. Norman Granz | Refcard PDF
  • 19
    If you look at my audiences, even in Europe, they're hardly teenagers. Norman Granz | Refcard PDF
  • 20
    In 1958, I decided that I was going to live in Europe permanently. So in 1959 I moved to Lugano, Switzerland. Norman Granz | Refcard PDF
  • 21
    Jazz was uplifted by what I did. Norman Granz | Refcard PDF
  • 22
    My function at Verve was that of a genuine producer in artists and repertoire. Norman Granz | Refcard PDF
  • 23
    My juices needed restoring. I needed a sabbatical from the record business. Norman Granz | Refcard PDF
  • 24
    Sponsors and networks will really go all out and simply evaluate people on the basis of talent. Norman Granz | Refcard PDF
  • 25
    The economic picture in the States today doesn't allow for jazz concerts in a tour fashion. People now are too used to the Festival, which gives them more names for the same price. Norman Granz | Refcard PDF
  • 26
    The history of all big jazz bands shows was, first they played for dancing, and then they played for singing. Norman Granz | Refcard PDF
  • 27
    The public, hearing pop music, is, without knowing it, also soaking up jazz. Norman Granz | Refcard PDF
  • 28
    The record companies are interested in the kind of sales they can get from the rock groups. Norman Granz | Refcard PDF
  • 29
    There are many artists that I present that I admit I like less than I do others. But I think that they warrant being presented by my own, personal standards. Norman Granz | Refcard PDF
  • 30
    There are very few groups that really stay together. The leaders of groups make enough money to be able to afford to work a maximum of 35-40 weeks a year. Norman Granz | Refcard PDF
  • 31
    To play today in London, next week in Madrid and the week after that in Warsaw is a bit better than playing Newark and Baltimore and Philadelphia. I've been doing that for 20 years. Norman Granz | Refcard PDF
  • 32
    When I was doing jazz concerts in America, I would use the biggest names I could find. Norman Granz | Refcard PDF
  • 33
    You will always find a few people in any area that would like things done completely their way. Norman Granz | Refcard PDF

 

  

  

 

  

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